| MIT

62,550원  | 20021018  | 9780262640497

Eva Hesse? distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970. Eva Hessefocuses on the body of criticism that has developed since the last major retrospective of Hesse? work, at the Yale University Art Gallery in 1992. The book? publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum. Eva Hesse contains a 1970 interview by Cindy Nemser, a discussion between Mel Bochner and Joan Simon, and essays by Briony Fer, Rosalind Krauss, Mignon Nixon, and Anne M. Wagner.

Edited by E. Luanne McKinnon; With contributions b  | Yale

78,180원  | 20101109  | 9780300164152

In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these 'spectre' paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these under-appreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre.

Nairne, Eleanor, Applin, Jo, Tobin, Amy  | Rizzoli Publications

103,350원  | 20200407  | 9780847868100

An in-depth look at these two American artists, who explored issues of sexuality and feminism in the 1960s and 1970s in their sculpture and photography.

Hatje Cantz Publishers  | Hatje Cantz Publishers

0원  | 20140101  | 9783775737548

Eva Hesse (1936 1970) is one of the foremost artists of the twentieth century. Born in Hamburg, she immigrated to New York via the Netherlands in 1938. Even though Hesse died of a brain tumor at the age of just thirty-four, she left behind a fascinating, highly individual body of work. In the mid-sixties she began experimenting with new materials that had never before been used to produce art objects, such as polyester, fiberglass, and latex.

Nixon, Mignon (Edt)/ Nixon, Mignon/ Nemser, Cindy  | MIT

0원  | 20021018  | 9780262140805

According to media critic Geert Lovink, the Internet is being closed off by corporations and governments intent on creating a business and information environment free of dissent. Calling himself a radical media pragmatist, Lovink envisions an Internet culture that goes beyond the engineering culture that spawned it to bring the humanities, user groups, social movements, non-governmental organizations (NGOs), artists, and cultural critics into the core of Internet development. In Dark Fiber, Lovink combines aesthetic and ethical concerns and issues of navigation and usability without ever losing sight of the cultural and economic agendas of those who control hardware, software, content, design, and delivery. He examines the unwarranted faith of the cyber-libertarians in the ability of market forces to create a decentralized, accessible communication system. He studies the inner dynamics of hackers' groups, Internet activists, and artists, seeking to understand the social laws of online life. Finally, he calls for the injection of political and economic competence into the community of freedom-loving cyber-citizens, to wrest the Internet from corporate and state control. The topics include the erosion of email, bandwidth for all, the rise and fall of doctom mania, techno-mysticism, sustainable social networks, the fight for a public Internet time standard, and collaborative text filtering. Stressing the importance of intercultural collaboration, Lovink includes reports from Albania, where NGOs and artists use new media to combat the country's poverty and isolation; from Taiwan, where the September 1999 earthquake highlighted the cultural politics of the Internet; and from Delhi, where a new media center explores free software, public access, and Hindi interfaces. --- From the Publisher

 | Prestel

0원  | 20060530  | 9783791333090

Kirsten J Swenson  | Yale Univ Pr

0원  | 20151127  | 9780300211566

An intimate study of the friendship and creative dialogue between two artists, offering an in-depth understanding of their work and the upheavals of 1960s New York

Corby, Vanessa Jane  | Tauris

187,650원  | 20210101  | 9781845115432

Examines the work of American German Jewish artist Eva Hesse. Using feminist approaches and taking as a starting point two of her key works, the author reveals the way in which Hesse has been constructed as a 'woman artist' and explores the overlooked legacy of the Holocaust and refugee life in her art practice.

Renate Petzinger  | Yale Univ Pr

427,420원  | 20060824  | 9780300104417

The work of Eva Hesse (1936-1970) has been the focus of attention. This is a catalogue raisonne of Hesse's known artwork in all media: painting, sculpture, and works on paper. During her career, Hesse created 135 paintings and 176 sculptures, objects, and test pieces.